Oxidised Silver

A freshwater pearl dropped from silver-look anti-tarnish brass. Elegance with nothing extra. Light enough for all-day wear, sharp enough to notice. Slides from desk to dinner...

Sattu is understated, hand-oxidised silver-look brass that doesn't ask for attention and gets it anyway. No story, no occasion, no fuss. Just the quiet everyday pair...

Pearl petals tumbling down into a clean drop. Silver-look anti-tarnish brass keeps it light and gives the softness an edge. Classic enough for a saree, sharp...

A peacock built almost entirely out of open wirework: a crested head, a beaded outline, and a body and tail worked as a diamond lattice you...

A paan leaf with two peacocks facing each other inside it, and a row of drops along the bottom edge: white pearls alternating with small oxidised...

Petals layered over petals, each one edged in tiny beads, a raised centre holding it together. Big for a stud. It covers the lobe properly instead...

Five petals around a plain silver bead. No stone, no fuss, no piercing required. Clips on and off, so you can try the whole nose-pin thing...

Petals drawn as overlapping arcs, each one dished into a shallow pan, all of them layered around a densely beaded dome at the centre. The arcs...

A peacock, cut small, tail and crest intact. For pierced noses. The detail survives the shrinking, which is the hard part and the reason to pick...

Ring after ring of tiny raised beads, spiralling out from a single point until it covers most of your finger. No motif, no stone, no story....

A crescent, a peacock's head at one end, a fan of petals at the other. Bells at the bottom, because of course. Chandrika means moonlit. It's...

The peacock everyone does. The tail nobody does, coiled into a spiral instead of fanned out. Same bird, better idea. It reads as a paisley from...

An open lotus, petals fanned wide, ghungroo strung underneath. Kamal is the most-used motif in Indian jewellery, which means most versions of it are boring. This...

A domed top covered end to end in swirling paisley work. Curved, so it catches light from wherever you're standing. No flat face, no dead angle....

Pink stones laid out as petals, pearls between them, a green stone holding the centre. It's a lot. It's supposed to be a lot. Wear it...

An oval blue nazar, set in an oxidised bezel edged with twisted rope wire. Everyone's aunt has been telling them to wear one for years. This...

An open lotus, shrunk down to nose-pin scale, with every pointed petal still readable. For pierced noses. Small enough for work, sharp enough for everything after....

A round disc, a plain domed centre, and a ring of raised beads around the rim that reads as petals from any normal distance. The most...

A morni on your nose. No piercing, no commitment. Clips on, stays put, comes off when you're done. The peacock is cut small and properly detailed....

Two goddess faces, eyes closed, a single bell hanging from each chin. The detail is the point: the crown, the tilt of the head, the calm...

An open lotus in full bloom, and a closed bud tucked at the other end of the band. Both stages of the flower on one ring....

महाकाल, cut as openwork script, with a trishul standing up behind the word. No stones, no bells, no softening. Just the word and the weight of...

Ring inside ring inside ring, with a raised square and a single ball sitting at the centre of it. Studs are usually the boring option. These...

Two rings joined by a chain that drapes across the back of your hand. A beaded flower on one finger, a notched crescent on the next,...